This catalogue is an excellent production supporting the exciting exhibition at the Frick Gallery, running from Featuring paintings, drawings and a collection of essays by the curators involved with the exhibition, provide further food for thought about to Joseph Mallord William Turner (1775–1851), his works and artistic development.
I was captivated by the intriguing tile of one of the essays, 'Shifting Currents: Turner's Depictions of Coasts, Rivers, Harbors and Ports in the 1820's by Ian Warrell. It plays brilliantly to the idea of the exhibition. It's playfulness piqued my interest. That thought aside, all essays are equally authoritative, fascinating and illuminating.
The cornerstone of the exhibition are two paintings belonging to the Frick from the 1820's. They reflect Turner's developing skills and techniques in his representation of the motif of the modern and ancient ports of Dieppe and Cologne; The Harbor of Dieppe of 1825 and Cologne, The Arrival of a Packet-Boat: Evening of 1826. The transition that these two works represent are supported by a coherent and exciting cavalcade of other of Turner's works. Vibrant and energetic! This apparently is the first time that these two seminal paintings have hung side by side.
Just as the exhibition is a window into Turner's methods, his abilities, use of color, light, absorbing subject matter, and so much more, so too is the catalogue. A further portal, a timeless chance to engage with all facets of the exhibition, both during the exhibition, and long after.
The catalogue is definitely a worthy addition for Turner aficionados and the interested, whether one is able to attend the exhibition or not.
A NetGalley ARC